Writing: Gustave Flaubert

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Writing is a dog’s life, but the only life worth living.

Gustave Flaubert 1821-1880

The illustration is copyright: Edward Fielding via Shutterstock

Novelists should thank Flaubert the way poets thank spring; it all begins again with him. There really is a time before Flaubert and a time after him. Flaubert decisively established what most readers and writers think of as modern realist narration, and his influence is almost too familiar to be visible. We hardly remark of good prose that it favors the telling of brilliant detail; that it privileges a high degree of visual noticing; that it maintains an unsentimental composure and knows how to withdraw, like a good valet, from superfluous commentary; that it judges good and bad neutrally; that it seeks out the truth, even at the cost of repelling us; and that the author’s fingerprints on all this are paradoxically, traceable but not visible. You can find some of this in Defoe or Austen or Balzac, but not all of it until Flaubert.

Critic James Wood in How Fiction Works (2008) [Wikipedia]
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About layanglicana

Author of books on Calcutta, Delhi and Dar es Salaam, I am now blogging as a lay person about the Church of England and the Anglican Communion. I am also blogging about the effects of World War One on the village of St Mary Bourne, Hampshire.
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One Response to Writing: Gustave Flaubert

  1. Pingback: Writing is a dog's life, but the only life worth living. - Quirkyworks

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